From the category archives:

Classic title

About a year ago, I posted about the different covers for Bernard Malamud’s The Natural; they’re so pretty… Here’s something similar about the late Jimmy Breslin’s 1964 release, Can’t Anybody Here Play This Game?: The Improbable Saga of the New York Met’s First Year, beginning with the original hardcover edition. I can’t vouch for the […]

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NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

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NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

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NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

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NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

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NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

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During my hiatus from this blog, we lost W.P. Kinsella.┬áMakes me feel even worse that I failed to include Shoeless Joe in my 501 project. No excuse. I had a chance to have Kinsella as a guest for a Bookshelf Conversation podcast but I blew it. Shortly after he published Butterfly Winter: A Novel, I […]

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NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

{ 0 comments }

NOTE: I have been posting these things long enough now that a few have commented that the introductory section isn’t necessary anymore. But I’m leaving it in because, to paraphrase Joe DiMaggio when asked why he played so hard all the time, there may be people who’ve never read the best-seller entries before. So on […]

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To have such an impact on such high-caliber players all these years later, that’s a great legacy. The New York Times‘ Bill Witz published “Cubs’ Win Comes With an Assist From Another Era,” which is basically a tribute to The Science of Hitting, originally published in 1971 by Ted Williams and John Underwood (who also […]

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